The City of God uses mise en scene within
many of its shots to generate meaning and create response. This is used in the
scene of The Story of the Apartment. In this we are able to see the effect that
drugs has over time through the decay of an apartment. This can be viewed metaphorically,
with the apartment symbolizing the home and the slow destruction portraying their
loss of any stabilization or safety due to the result of drugs and the want for
power.
At the start of the scene, the apartment is owned by a woman, Dona Zelia. The mise en scene used in this portrays an un-threatening environment, through using warm colours combined with tidy mise en scene, to create what appears to be a stable home. The mise-en-scene within the shot combined with the voice over creates a strong juxtaposition to what is happening there and what the environment looks like, creating a sense of impending doom for what is to come through selling drugs.. Towards the end of Dona Zelias held over the apartment, we see Big Boy dragging her out of the apartment whilst she rips of the table cloth. This destruction of the mise en scene sparks the erosion of the apartment. This could also link to social issues within the film, surrounding the treatment of women, as towards the end of the shot, we see Big Boy dragging Dona Zelia out by her hair, generating response within the audience surrounding social and cultural issues.
As Big Boy takes over from Dona Zelia, we see a big change in the mise en scene in the shot. We are able to see drugs and alcohol displayed on the table. The could link to the idolisation of drugs, as Dona Zelia sold drugs to support her daughters after the death of her husband, Big Boy uses it for power, which sparks social and cultural issues surrounding gender representation and the ideology within Brazil. It could also represent the erosion of using drugs, portraying the ever heightening need for more money and power. In the background of the shot, we are able to see the mise en scene of the posters of naked women, which again can be viewed in the sense of power, by the men using this to place themselves above women, through derogatory pictures. The apartment has also become messier through the transaction of Dona Zelia to Big Boy, through the mise en scene of miscellaneous boxes and clothes being carelessly places around. This references gender, through social and cultural issues of the juxtaposition between male and female respect and care for their home. We also see a loss of many of the mise en scene shown through the transaction of Dona Zelia to Big Boy. For example, the curtain, the chest of drawers and also the photo frames on the walls, which are later replaced with pornographic images. This loss of mise en scene is used to represent the destruction of the apartment and its slow transaction from a home into a gang hide out through the result of drugs, creating a response from the audience surrounding the constant underlying issues within this film.
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